Michael’s official start as a composer/songwriter came in the summer of 1977, when he notated two instrumental piano works instead of practicing for his next piano lesson. He played those two pieces for his piano teacher. She encouraged his creativity and the spark was ignited. He was 11.
Fast forward to the age of the Casiotone MT-70 keyboard and a cassette recorder he received on Christmas years later and there was no turning back. Rummaging through the many cassette “master” tapes in a box recently, he discovered that he had written/recorded well over 500 songs and instrumentals from 1977 to 1989 alone.
He attended East Carolina University’s School of Music and received a BM in theory/composition (electronic music & music business emphasis) followed by a MM in Music (theory/composition). In addition to writing compositions as coursework, Michael was prolific in writing/recording electronic instrumental music and numerous songs, thanks to access to the university’s electronic music studio and its arsenal of synths and drum machines. During this time, he also wrote electronic music pieces for modern dance choreographers Patti Weeks and Patricia Clark.
ECU hired him out of grad school to initially continue his work as recording engineer and provide faculty support with education technology. It’s also where he met his wife, Tracy. He spent the next 21 years at ECU, teaching various courses including an online popular music course he designed and serving under the dean of the College of Fine Arts & Communication as instructional designer/coordinator of technology & distance education. In 2011, he received a second masters degree, this time in instructional design/technology, also from ECU. In 2015, he took a position at the University of Richmond, returning to his home state of Virginia, serving as assistant director for UR’s Center for Teaching, Learning, and Technology. Michael is a realist: he knows making music for a living is very tough in the streaming age, so the “day job” keeps the bills paid while he toils away in the studio…working up new (hopefully) gems and hoping to attract label interest.
Michael did take a hiatus from creating music from 1999-2007, with a few exceptions when the need arose. During that time, he and his wife Tracy welcomed their daughter, Abigail. Abigail has even helped her dad write and record a few songs.
In 2008, Michael stumbled on the poetry of Sara Teasdale and was incredibly moved by her lyrical prose. He decided to pick 10 poems and set them in today’s electronic pop genre. The Teasdale project is a long-term project, so no release date is known.
In June 2016, Michael released a compilation album Songs Through Time, comprised of brand-new songs and remastered or re-recorded tracks from the past 20+ years.
In December 2017, he released the Christmas Lake EP, containing four original instrumentals with a touch of holiday spirit.
On June 15, 2018, Michael released Issues, containing 11 tracks (most new, a couple previously unreleased songs re-envisioned). The album has a slightly more electronic and 80s nostalgic sound, touching on numerous genres as he is prone to do on albums.
A new new/soundtrack 5-track EP Aquarium was released in July 2019, based on a previously abandoned instrumental project in 1994. Ironically, the music created for this project was quite uplifting in tone, considering Michael’s full-time job had been eliminated during the period the music was being produced. Michael considered the project therapeutic, as it kept him in positive spirits while dealing with the arduous task of the job hunt.
Michael is primarily a studio composer/songwriter. His music is challenging to play live, due to the gear used to make it. However, he recently played a one-man live set of new and old songs/instrumentals in November 2017…first time live in over 22 years…so it’s possible!